Tuesday, March 10, 2009
CCC would have been surefire hit had it come some 8-10 years ago. Though really entertaining at places, the film fails to qualify as a worth watch because of the second half which wanders off aimlessly. The story keeps moving round and round, the jokes and gags start falling flat and appearing dated and above all Govinda doesn’t seem to be in the form he used to be once in his hey days. Also one wonders why everyone in the film is shrieking so loudly every time. But to give due credit where it deserves, the characterizations have turned out well and some of the sequences (plenty in the bus) make you really laugh out loud.
Age has started to show on Govinda’s face and he should stop doing youthful roles. This film would have been a much better one, had there been a young actor doing his part. Reema Sen is an average actress who carries limited expressions on her face. Also her pairing with Govinda looks awfully odd. Rajpal Yadav however, seems to be in top form and delivers the goods. Razzaak Khan as the bus driver and Asif Basra as the sweet talking conductor are entertaining. Murli Sharms is okay but Manoj Joshi is irritatingly loud.
The camerawork is strictly functional, editing leaves a lot to be desired and the set design too tacky. The music barring the catchy title song is no great shakes.
Chal Chala Chal is the kind of a film which you can easily avoid going to a theatre to watch for but it won’t harm you if you catch it on a DVD or satellite channels
Thursday, March 5, 2009
Producer: Rakeysh Omprakash Mehra, Ronnie Screwvala
Director: Rakeysh Omprakash Mehra
Cast: Abhishek Bachchan, Sonam Kapoor, Atul Kulkarni, Divya Dutta, Om Puri, Rishi Kapoor, Waheeda Rehman, Pawan Malhotra
Music: A.R. Rahman
So simple from above and yet so lusciously layered beneath, "Delhi-6" does what its director's last work "Rang De Basanti" did so spectacularly. It pushes the boundaries of cinematic entertainment almost beyond the brink, but catches its breath just in time in an exhilarating exhalation of enchanting thoughts, images and characters that seem to convey the truth about life without obstructing the truth about cinema.
Abhishek Bachchan jumps from one building top to another in the congested colony of old Delhi, as the monkey-man shows up in "Delhi-6", a mix that's zingy and intoxicating without trying to be either.
The most valuable quality of this film, which tries to portray the cultural fabric and its tragic-comic resonances in a society trapped between the machinations of religion and politics, is its transparency.
Even when Rakeysh Omprakash Mehra makes deep comments on the culture and politics of religion in contemporary India, he keeps his narrative liberated of punctuation marks.
The narrative flows in one seamless harmony of characterizations, music and satire bound by a vision that sees the aspirations of an "Indian Idol" contestant (Sonam Kapoor) in the same line of vision as the sexcapades of a wily local photographer and the self-serving pontifications of a Hindu right-wing woman.
The greatest virtue of "Delhi-6" is its bustling mass of everyday commuters from Chandni Chowk, whose lives converge in routine and not-so-routine ways to create a work of art that pays a heartwarming homage to the spirit of a city without romanticizing the gali (bylane) culture of towns where jalebis are fried by streetside vendors next to kids defecating in open sewers.
As a society based on hierarchical and communal segregation collapses all around us, Mehra portrays this society in a flux with a mixture of pleasure and regret without getting overly nostalgic.
There are lines which openly ridicule the 'dilli ke dilwale' who are supposed to be one big happy family. However, the family here - warring brothers Om Puri and Pavan Malhotra - and religious communities fall apart with a heartbreaking thud.
The dynamics of a culturally-decaying society are projected into scenes that come together as vibrant vignettes drawn with sincerity, affection and transparency from the most endearing colours of life.
Binod Pradhan's cinematography is the real hero of "Delhi-6". He captures the faded pastels of the crowded gallis of Delhi and the aesthetic garishness of the Ram Leela with the feeling and fervour of a subtle celebration rather than a flamboyant festival.
Mehra's film completely avoids the touristic cliches that the theme - NRI boy returns to desi roots with dying grandma - could have happily embraced. By the time the narrative reaches a sombre climax, we're watching a work of art that transcends the power of the visual medium, sneaks into the realm of dark poetry and then re-merges as a socio-political commentary.
Abhishek, who plays a half Hindu-half Muslim NRI returning to his roots in Delhi, essays his role with elan.
It would be grossly unfair to single out any of the performances. But mention must be made of Deepak Dobriyal as the innocuous Muslim jalebi seller who's pushed against the communal wall, Pavan Malhotra as a loud somewhat mean electrician, Divya Dutta as the locality's garbage collector, Vijay Raaz as the neighbourhood sadistic cop and Atul Kulkarni as the native punching bag.
Waheeda Rehman is so serene yet spirited as the dying grandma, somewhat representative of the world that she comes to inhabit in Delhi with her grandson. But the film belongs to Abhishek Bachchan.
"Delhi-6" is swarming with metaphors, some of them poetic. Peeling off layers of texts and subtexts, we arrive at a work that exudes the scent of true lived-in and experienced emotions.
The hurt and anger of a socio-political system that has gone from corruptibility to destruction is hidden just beneath a warm, sunny all-is-well veneer so beautifully represented by Sonam Kapoor dancing with the pigeon balanced on her head.
What an idea Sirjee!
Sunday, March 1, 2009
“There was an old lady who swallowed a fly
I don't know why she swallowed a fly - perhaps she'll die!
There was an old lady who swallowed a spider,
That wriggled and wiggled and tiggled inside her;
She swallowed the spider to catch the fly…”
I thought of Dr. Seuss as someone writing meaningless rhymes for children, but then I got a notice from the class teacher asking every children to participate in a reading challenge for Dr. Seuss’ birthday. It sounded worth being curious, and I pulled a few books from my little one’s shelf and started reading.
Theodor Seuss Geisel, born on March 2, 1904, was a writer and cartoonist, most widely known for his children's books written under his pen name, Dr. Seuss. He published over 60 children's books, which were often described by ingenious characters, rhyme and frequent use of trisyllabic meter. His most notable books include the bestselling Green Eggs and Ham, The Cat in the Hat, and One Fish Two Fish Red Fish Blue Fish.
I managed to read some of his books, namely The Lorax, The Cat in the Hat, It’s Your Birthday and few more. Unexpectedly enough, I found them pretty interesting and funny at the same time. Most of them had some inner meaning to educate some basics of life.
In his ‘The Lorax’, the lorax is a creature who speaks for the Truffula trees, the humming fishes, the bar-ba-loots and the swomee-swans as each of them had their life in danger because of Onceler’s greed. Onceler had chopped off all Truffula trees, leaving nothing for the bar-ba-loots to eat; he filled the air with the smoke of his factory that produced thneed, made out of the trees. The swomee-swans were as sick as not being able to quack. The factory waste was drained to the pond, making the humming fishes sick and The Lorax sent them away one by one, even when the birds had to fly even for months to find a suitable place and the fishes had to walk on their tales.
At the end, when the lastest Truffula tree was chopped off, only Onceler and the Lorax were left, while Lorax flew off keeping behind a pile of rocks and a word ‘UNLESS’. The Onceler finished telling this story to a small boy who had come to find him. The boy asked, "Unless? What does that mean?" The Onceler tossed a small seed to the boy and explained that unless someone cares enough to grow this seed, the last Truffula seed, and let it mature, then maybe the Lorax will come back.
My daughter reacted almost instantly to the story and I realized how cleverly, yet how simply the author passed the message to the children. On his 104th Birthday I wish more authors with such talent be in this era, to educate children about life’s bigger messages in smaller ways.
Thursday, February 26, 2009
On Thursday 26th Feb, Tata Motors announced that the much-awaited Tata Nano will be instigated at a function in Mumbai on March 23, 2009. The cars will be on display at Tata Motors dealerships from the first week of April 2009. Bookings will start from the second week of April 2009.
Since its introduction on January 10, 2008, Tata Nano has evoked an exceptional attention in the country, with its Web site having recorded over 30 million hits in the past one year and the creation of over 6,000 interest groups and communities.
Tata Motors is making arrangements for the widest possible network to book the car, so that prospective customers can conveniently avail of booking facilities at their locations, across the length and breadth of India.
The booking process and other details will be declared on March 23, 2009. Bookings can be done at Tata Motors dealers and at select State Bank of India branches. Once you have booked the car, the waiting period is likely to be long because of two primary reasons: huge demand and limited production.
So, how will you get your dream car? Well, allotment of the Nano will be done through a draw of lots, and the lucky ones will get to drive their Nano first. It is also cogitated that the car is likely to attract huge premium, so you can actually make a nice killing were you to sell it as soon as it is allotted to you.
Some of the leading vendors pointed out that it was not viable to have a dedicated plant for the Nano even for volumes like 250,000 cars per annum. A dedicated line at the site with warehousing facilities was the best option to cut down logistics costs. As of now, the vendors confirmed that they would supply the Pune plant for engine components and the Pantnagar plant from existing facilities across India.
While the initial volumes will be as low as 3,000-4,000 cars a month, the company recently indicated to vendors that it planned to produce around 70,000-80,000 cars in fiscal 2009-10. Some of the vendors, while refusing to be identified, said ramping up huge volumes in Pantnagar was actually not feasible.
Wednesday, February 25, 2009
Tuesday, February 24, 2009
Producer: Gauri Khan
Cast: Shah Rukh Khan, Irrfan Khan, Lara Dutta, Om Puri, Rajpal Yadav, Manoj Joshi
Billu is the story of a simple ordinary man, Bilas Rao Pardesi aka Billu(Irrfan Khan), who, failing to compete with a new competitor Madan comes to the threshold of starving. In his decaying shop he awaits customers. At home, electricity gets disconnected due to nonpayment of bills, and his two kids are thrown out of school for the same cause.
The movie beautifully portrays the bitter-sweet image of the chequered and troubled star-fan relationship when the Bollywood superstar Sahir Khan (Shah Rukh Khan) chooses the Budbuda village as the spot for his next shoot. Quite unexpectedly, Sahir Khan happens to be Billu's estranged childhood buddy, and the news spreads like bushfire in the village. Suddenly, Billu is elevated from the status of a pauper to a much sought after personality who is hunted by people wanting to meet Sahir. Priyadarshan succeeds in putting a warm sensitiveness when Billu tries to escape this sudden fame as he's convinced deep down his heart that Sahir wouldn't recognize him. Yet on the other side his wife Bindiya (Lara Dutta) and the two kids don't miss any opportunity to take the lead by mentioning the friendship of Billu and Sahir.
The best moment of 'Billu' comes during the end of the movie, when Sahir Khan breaks down at a school function remembering his childhood buddy Billu. Billu hears it from across a faraway fence and walks away.
This movie wouldn't be a success without SRK. He plays an autobiographical role and as usual rocks! But the true King Khan in this movie is Irrfan whose understated, meek and vulnerable portrayal of a lovable, penniless survivor wins over the heart of the viewers. It's a performance that can be watched more than once. Lara Dutta is just about okay, but one won't mind it as there's a constant comic splash from the likes of Om Puri and Rajpal Yadav in the first half.
The extravagant songs featuring the beauties like Kareena Kapoor, Deepika Padukone are really just forgettable, but the “Billu Bhayankar” and “Khudaya Khair” would be in the lips of the audience even after the movie gets over